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Approaching Haifa Noor Bseiso
Approaching Haifa - Noor Bseiso

Dome of the Rock

The Watermelons

Approaching Haifa

The Msakhanh

The Records

Olive Branches

The Chandelier

Approaching Haifa

Acrylic on unstretched canvas, fabric, cotton, cardboard, wire, and clay

Approaching
Haifa
is
a
visual
representation
that
encapsulates
an
imaginary
realm
that
has
never
materialised.
Referencing
the
Hejaz
Railway,
the
scene
recalls
elements
of
the
unrestricted
movement
and
interconnectedness
that
existed
within
our
region
prior
to
the
current
colonial
framework,
in
an
era
devoid
of
borders
and
the
historical
atrocities
associated
with
them:
displacement,
genocide,
settler
colonialism,
and
proxy
wars,
all
of
which
have
destabilized
our
physical
homes.

Centering on the sacred and intimate practice of sharing a meal, the figures in the painting joyously engage in a space filled with regional excellence; from the stack of records to the images on the walls, the space reflects a cultural landscape that could have had the opportunity to exist and thrive without Western violence.

In challenging the imperial notion of belonging to the land by means of theft, ownership, and borders, Approaching Haifa emphasises elements of belonging, unity, freedom, and joy.

The Artist

Noor Bseiso

Lives and works between New York City and Amman

Noor Bseiso is a Palestinian-Jordanian visual artist primarily working with acrylic on canvas. Noor draws inspiration from her background as an art director in film, blending elements of representation and abstraction, as well as 2D and 3D elements resulting in chaotic playful large-scale unframed scenes that spill into the floor. Her work delves into political and social themes within the context of the SWANA region, addressing subjects such as imperialism, patriarchy, and capitalism.

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